The definition of insanity is the
state of being insane; being mentally ill so severe that they cannot
distinguish fantasy from reality. This leaves out the other definition of insanity
and that is doing the same thing over and over and expecting different results.
In order to better describe the tragic character Blanche DuBois in “A Street
Car Named Desired” by Tennessee Williams, the definition could perhaps be narrowed
to “crazy”, “nuts” or even “irrational.” However, Blanche’s actions could also
be justified to be rational considering the circumstances that she has gone
through.
In scene one Blache takes a streetcar
named Desire through Cemeteries to reach Elysian Fields, where Stella and
Stanley live. The journey already foreshadows Blache’s mental descent throughout
the play as her desires has led her down the paths of sexual promiscuity and alcoholism.
The fact that she ended up deciding to stay with the Kowalskis insists that she
has reached the end of the line. Due to her young husband’s suicide, her desire
to escape causes her to lose touch with reality and the world around her,
slowly sinking into her own fantasies and delusion. Blanche, now unable to differentiate
between reality and her own fantasy, constantly brings up Shep Huntleigh, a
Dallas millionaire who admires her and has invited her to come with him on a
cruise of the Caribbean on his yacht. Blache’s inability to cope with realism
extends even further when Mitch confronts her about her past, he angrily tears
down the paper lantern so he can see her face, Blache cries “I don’t want
realism -- I want magic!”. This exemplifies how Blanche is incapable to accept
her reality and wishes to hide her darkness in the light.
The music in the play is also
another significant factor to determine whether Blache is sane. The Varsouviana
Polka consistently plays throughout the play and it is what Blache associates
herself with her young husband’s suicide. Blanche and her husband were dancing
to the polka when she confronts him of his homosexuality leading him to
shooting himself. The music plays when Blache is reminded of her husband or
when she is disturbed by the past. Although, the polka only plays in Blache’s
mind and she is the only character that is able to hear the music aside from
the audience. The music also accompanies the scenarios of the play, this is
clearly shown when Stanley sexually assaults Blache and the polka music is
rapidly played euphemizing that Blache has been raped. Therefore, the polka
music could be another indicator to how Blache is unable to separate reality
from her fantasies as the music constantly becomes a part of her physical existence
to describing her actions and feelings.
It is questionable whether Blache’s
delusions and fantasies could be justified as rational considering her past
experiences, but there is no doubt that it is her own wrongdoing that put
herself into that position. The fact that Blache requires multiple fabrications
and lies to hide herself from truth and the real world led her to being unable
to separate reality from her fantasy. Given her circumstances, I still have sympathy
for Blanche and strongly believe that her actions are to be rational.
Nevertheless, Blanche is a truly tragic character where her desire has only
driven her into own downfall, eventually becoming insane.
I think you did a good job in describing the different factors that showcase Blanche's insanity. You put a lot of attention on details. However, I think you should have given a more clear explanation on how Blanche's actions were rational.
ReplyDeleteI like that how you notice that the music plays a significant role in the play. Your analysis of the different functions of music played in different scenes is quite professional. However, I think that the second paragraph is basically a summary rather than your analysis. It would be better if you put more detail analysis instead of general summary.
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